Daniel Adam Maltz
Tour About Watch Podcast Contact
TourAboutWatchPodcastContact
 Daniel Adam Maltz

CLASSICAL CAKE

These episodes bring Vienna — the capital of classical music — to you. Discover the hidden secrets of classical music through engaging conversations with musicians and experts – all while enjoying one of Vienna’s delicious cakes.

For 5-minute, snack-sized slices of Viennese culture, watch Jause with Daniel Adam Maltz.

For videos about historical keyboard performance practices, check out The Classical Perspective.

Who Was Michael Haydn? | Op. 19
Who Was Michael Haydn? | Op. 19

"Every connoisseur of music and its output knows... Michael Haydn, as a composer of sacred music, has to be counted amongst the first-rate composers."

Read More
Daniel MaltzDecember 10, 2020
Joseph Haydn in London | Op. 18
Joseph Haydn in London | Op. 18

“One of his talents was his ability to get on with anyone, including the royal family — whom he wasn't at all fazed by.”

Read More
Daniel MaltzNovember 17, 2020
Orchestra of the Age of Enlightenment — Margaret Faultless Interview | Op. 17
Orchestra of the Age of Enlightenment — Margaret Faultless Interview | Op. 17

“The spirit of enquiry… investigating how and why one does anything is really the spirit of the orchestra.”

Read More
Daniel MaltzNovember 3, 2020
The Other Mozart Prodigy: Maria Anna | Op. 16
The Other Mozart Prodigy: Maria Anna | Op. 16

“There's a quote where they say the most eminent soloist is Maria Anna von Berchtold zu Sonnenburg, Mozart's sister, who traveled widely in Europe when she was a child.”

Read More
Daniel MaltzOctober 20, 2020
Orchester Wiener Akademie — Martin Haselböck Interview | Op. 15
Orchester Wiener Akademie — Martin Haselböck Interview | Op. 15

“To live in Vienna, you have the occasion to go to the original places. You can hear the music at the place where it was performed. You can stand in the same place where Beethoven conducted.”

Read More
Daniel MaltzJune 2, 2020
New Beethoven Piano Piece — Ländlerischer Tanz | Classical Cake, Op. 14
New Beethoven Piano Piece — Ländlerischer Tanz | Classical Cake, Op. 14

“I examined the character for the piece and some details — of the melody, of the rhythm — point out that this piece is some kind of a Ländler: a South German or Austrian dance of that time.”

Read More
Daniel MaltzMay 19, 2020
Exploring Beethoven Lieder — Stephanie Houtzeel Interview | Op. 13
Exploring Beethoven Lieder — Stephanie Houtzeel Interview | Op. 13

“But many of his songs which came from an incredibly personal place… he always wrote these songs because they were reflecting some personal thing he was going through.”

Read More
Daniel MaltzMay 5, 2020
Chorus Viennensis: After the Vienna Boys Choir | Op. 12
Chorus Viennensis: After the Vienna Boys Choir | Op. 12

“I think we have no limits to any kind of music. We have sung very modern music. We have sung a very classical music and we have sung Renaissance music.”

Read More
Daniel MaltzMarch 3, 2020
Vienna Boys Choir: Then and Now | Op. 11
Vienna Boys Choir: Then and Now | Op. 11

“That was such a success — that people were totally wild about it — they had to do a second, a third, and a fourth concert.”

Read More
Daniel MaltzFebruary 18, 2020
Evolution of the Viennese Fortepiano — Alfons Huber Interview | Op. 10
Evolution of the Viennese Fortepiano — Alfons Huber Interview | Op. 10

“…during Mozart's lifetime, the main focus was to keep the lightness of the key touch of the harpsichord and combine it with a hammer action which reacts like in the clavichord. The pianists expected the lightness of the action.”

Read More
Daniel MaltzFebruary 4, 2020
Silent Night: Origins of a Beloved Christmas Song | Op. 9
Silent Night: Origins of a Beloved Christmas Song | Op. 9

“The song was so simple in tuning, and they could just join in. That's why it's translated into so many dialects.”

Read More
Daniel MaltzDecember 22, 2019
Alma Rosé: Orchestrating Survival | Op. 7
Alma Rosé: Orchestrating Survival | Op. 7

“…she trained so hard with them, that they didn't have to look out of the window. They could focus on the music. It was a way of surviving, not thinking all the time what was going on outside.”

Read More
Daniel MaltzDecember 20, 2019
Interpreting Classical Music Notation – Malcolm Bilson Interview | Op. 6
Interpreting Classical Music Notation – Malcolm Bilson Interview | Op. 6

“When I go and give a master class, I’m almost never telling anybody what to do. I’m always telling them what to read.”

Read More
Daniel MaltzOctober 27, 2019
The Art of Building a Fortepiano — Paul McNulty and Viviana Sofronitsky Interview | Op. 5
The Art of Building a Fortepiano — Paul McNulty and Viviana Sofronitsky Interview | Op. 5

“It’s the idiomatic use of the instrument which is so charming with Schubert or any of these composers.”

Read More
Daniel MaltzOctober 27, 2019
The Pianos Used in Mozart and Beethoven’s Era – Ingomar Rainer Interview | Op. 4
The Pianos Used in Mozart and Beethoven’s Era – Ingomar Rainer Interview | Op. 4

“We can see in the Mozart sonatas, in the Haydn sonatas how they really took a maximum from this instrument. Beethoven goes one step further.”

Read More
Daniel MaltzOctober 27, 2019
Who was Joseph Haydn? Part II | Op. 3
Who was Joseph Haydn? Part II | Op. 3

“It was not too complicated to have a conversation for Haydn together with the Prince of Wales or the king and queen.”

Read More
Daniel MaltzOctober 27, 2019
Who was Joseph Haydn? Part I | Op. 2
Who was Joseph Haydn? Part I | Op. 2

“Haydn had this kind of wit and also humor. You can feel it in his compositions when you hear the music.”

Read More
Daniel MaltzOctober 27, 2019
Beethoven’s Immortal Beloved Identified — Rita Steblin Interview | Op. 1
Beethoven’s Immortal Beloved Identified — Rita Steblin Interview | Op. 1

“The letter itself was one of the most passionate letters ever written.”

Read More
Daniel MaltzOctober 27, 2019
 

HOME

TOUR

ABOUT

WATCH

PODCAST

 
Contact

Copyright © 2025 Daniel Adam Maltz. All rights reserved.